Wednesday 18 November 2015

TEXTUAL ANALYSIS

OFFENDER Interrogation Scene 




The officer in this scene had to deal with 3 suspect linked to attacking their probationer officer and linked to an armed robbery.  The three suspects are acting like they weren’t involved with any charging facing them. The narrative in this scene is straight forward and it’s similar to other interrogation scene. The police officer keeps on raising his voice to get the suspects angry and say something they might regret.

The camera angles used in this scene is medium close up and close-up shots. This is because it allows the audiences to examine the characters facial expression and keeps the audiences focused on the characters as they could only see the characters and nothing else. As the first two characters were asked about being in the stolen car they stopped shouting and looked like they were making up an excuse as they the stop. We know this as the second character rolled his eyes left and right before answering the question. The third characters interrogation cinematography was medium close up. This was useful as we could see that he tried to play out calm as the officer question him. We couldn’t tell by his facial reaction that he wasn’t guilty as the other characters were moving shifty and his tone was the same throughout till the end of the interrogation.

The police officer is dressed formal as he is the one leading the interrogation. This is to show that he is more supreme than the suspects. The three suspects are dressed in black jackets and black jumpers. They look like they fit the description by seeing their clothing. Moving on, the main lighting is right above the table this makes the rest of the room dark and it placing the suspects is a spot where they’re uncomfortable. Also the windows are little and are placed high up the wall to show that there’s no escaping this room if you’re guilty. Also it infers that this going to be a similar surrounding if they’re found guilty. In addition, the actors are all male in this scene. The actors are mainly black Africans with only one expectation. The other character is seen to have adapted the attitude of black males. The stereotypes of black people are generally dangerous, criminals, gangs, drug etc. This scene supported and also challenged this stereotype by showing black male character in both roles such as black police man and black suspects. Furthermore, the setting was a police interrogation room as the officer was trying to get information out of the suspects. The light was directly above the table making that the main focus in the room. Also we know that this is an interrogation room as we could see the mirror placed on the wall. This allows other officers to examine the interrogation and it allows them to do so without being detected. 




Offender – first 2:05 mins

The main character is walking through an alleyway. The camera shots used were a long shot than a medium close up right at the start. This was effect due to the editing as we couldn’t recognize the characters face. The edit used to make this effective was a cut as he was walking at the start of the alleyway the cut effect allowed us to visualize the character. The medium close up allows the audiences to analyse his facial expression. The sound used at the start was a non-diegetic. The music playing built up tension as the police siren got louder. The way they’ve introduced the main character is interesting as he was made out to be the villain at the start of the film. Also the character seemed pleased with him assaulting the police officer. We know this as he smiled whist getting sentenced. This is an unusual way of starting a film as it started off with violence. The assault scene has created some enigma codes (Barthes) as this scene made audiences question themselves as they didn’t know why the main character attacked the officers. 

Friday 13 November 2015

Icons in the hood - how working-class youths became chavs – Media Magazine

https://www.englishandmedia.co.uk/media-magazine/articles/16872

Is this the beginning of the end for the word 'chav'? British rapper Plan B has criticised the label for being 'a derogatory phrase no different to the ones concerning race or sex'. But some argue being a 'chav' is about attitude and behaviour, not race, sex, class or education. Pete Turner looks at recent representations of modern youth's controversial icons.

·         “The typical representation of contemporary young people in Britain is the iconic image of the 'chav'. The chav has become a symbol of David Cameron's 'broken Britain' and a cultural movement of young people that is easy to recognise.”

– The representation of modern young people comes from the upper class and middle class. They are the ones labelling people socially beneath them. The youths that are been called ‘chavs’ have no choice and act in the way the media represents them. They could be the ones showing ‘the people with power’ that they are wrong to call the youths ‘chavs’. Also the quote above says that “The chav has become a symbol of David Cameron's 'broken Britain'” This shows that even their leader has lost hope and placing the youths of today in a position where they’re limited in life. 

·         “Hooded, tattooed and often anonymous due to a covered face, 'chavs' wear tracksuits and trainers and often sport some dazzling golden jewellery, commonly referred to as 'bling'.

·         “These are supposedly the youth of British streets; uneducated, poor but covered in labels and logos, and above all aggressive, most likely waving gun and gang signs around, hands stuffed down the front of their trousers just like Ryan Florence did behind David Cameron's back.”

·         “However, many have criticised the label 'chav', and particularly its use by the mainstream media. Tom Hampson of the Fabian Society argues:”

·         “71% of articles from a range of tabloid, broadsheet and local papers involving young people were negative in tone, and a third were crime-oriented.
Heath, 2011”




Odd Future, Stranger Past - Issues of Representation in Contemporary Hip-Hop- Media
Magazine

·         “The landscape of contemporary music is changing. The use of the internet as a tool for both distribution and marketing has resulted in an explosion of new artists, fragmenting audiences and causing shifts in every aspect of the industry, from genre to production to image construction.”

·         “Whichever topics you are working on, representation is certain to be central to your response, and being able to write convincingly and with sophistication about how an artist's image utilises existing stereotypes and how technical codes and mise-en-scène contribute to this construction will have a huge impact on your grade”

There’s a riot going on - Media Magazine

·         “In August of this year, a wave of civil disturbances spread across Britain's inner cities. Following a peaceful demonstration against the death of a black man, Mark Duggan, at the hands of the police in Tottenham in North London, police officers beat a teenage protester on the street.

·         “The disorder that ensued subsequently spread to other areas of the capital and thence to several of England's major cities. Newspapers, TV screens and the internet were flooded with reports and images of crowds rampaging through the streets, setting buildings and vehicles alight, fighting with police and smashing and looting from shops.”

·         “In particular, it's interesting to look at how the participants were described. In most of the tabloid media coverage, the rioters were consistently and repeatedly identified as young people. These were the 'feral youth', the 'hoodies' and 'yobs' who apparently rampage uncontrolled in our cities, bent simply on destruction for its own sake.”

·         “In fact, many of the people ultimately convicted for crimes during the rioting were by no means young. Youth offending, youth detention and reoffending have declined in recent years. Meanwhile, just a few weeks later, young people achieved record passes in their GCSE and A Level exams. Those involved in the disturbances were obviously a small minority. Yet in much of the media coverage, they came to stand for Young People - or particular categories of young people - in general.”

Is it Cos I is British?! Issues Around Black Britishness – Media Magazine https://www.englishandmedia.co.uk/media-magazine/articles/16890

What does it mean to be Black British? Why has it taken so long for us to see representations of and by black British artists, producers and creatives as more than just 'issues'? Jennifer G Robinson explores the diversity and range of the Olympic Opening Ceremony, and wonders how far it reflects the media's role in constructing black British identity.

·         “Part of the problem when analysing black culture in the UK today arises from our dependence upon American popular culture as a model for critiquing representational issues.”

·         “Brick Lane (2007) and Small Island (2009) all discuss these writers' experiences through immigration, inter-racial love and racism. However, these adaptations still posit a representation of 'otherness' which must continually explain itself. It is anchored in pain, struggle for identity and a demand for acknowledgement of presence. These adaptations appear as updated versions of earlier 'race' films such as Borderline (1930), Sapphire (1959) and Flame in the Streets (1961). With all the other narratives documenting black and Asian life, which mirror universal human experiences,

Black Ink - Black Press in Britain - Media Magazine 


  • "Black is a loaded word. It may work on some level politically, but less so culturally; what exactly is Black and more insidiously 'Black culture'? Using this terminology to define people with a little colour plays into the idea that they are from one homogenous jelly-mould with no variation in language, customs and traditions."
  • "This is certainly a large area to cover and one which can only be touched on here. It is important to investigate the contextual issues that this complex subject area presents. This article will primarily focus on the discussion of people of African/Caribbean, British-born descent. In this overview of the titles which dominate what is a niche market, we'll try to examine some of the history of Black publications"

Thursday 5 November 2015

Notes and Quotes

Title: How is deviant youth represented in the British media in texts such as 'Offender'?

Offender (primary text)


·         “The fallout from last year’s London riots was extensive, with people quick to provide reasons for the violence that occurred not just in the capital but, in smaller pockets, across the UK.”
·         “Director Ron Scalpello’s debut film, Offender, begins with the shocking scene of a young man, Tommy (Joe Cole, Skins), being arrested after beating up two police officers as the riots ignite around him on London’s streets”

Offender – TimeOut


·         “This London prison drama set in a young offenders’ institution (it was originally called ‘Feltham’) clearly sees itself as today’s ‘Scum’”
·         “There’s a grim believability to its brutal depiction of life inside – walls barely containing the aggression and fear of these angry young men”
·         Newcomer Joe Cole stars as Tommy, a good kid who deliberately gets himself put away to exact revenge against the gang who viciously beat up his girlfriend.”

Offender Film Review – The Guardian


·          “Set against the topical background of the 2011 riots, Offender has the not unfamiliar plot of a man getting himself sent to jail in order to exact vengeance on some incarcerated criminals.”
·         “In this case, a London teenager infiltrates a young offenders' institution to track down the gang who violently assaulted his pregnant girlfriend to prevent her giving evidence in a murder trial.”
·         “The detail is realistic and it's a decent enough genre piece. But unlike its acknowledged model, Alan Clarke's Scum, the 1979 movie that launched Ray Winstone's career, Offender has little revealing or useful to say about the appalling conditions in juvenile prisons.”


Offender Film Review – The Guardian


·         “Waiting for Britain's answer to A Prophet, or an update of Scum? Keep waiting.”
·         London teen Tommy is well 'ard. When his pregnant sweetheart falls victim to gangland thugs amid last year's riots, he's not having it”
·         “He will have his vengeance in this world, or in the young offenders' institution where he gets himself incarcerated to hunt down his prey.”
·         First-time director Ron Scalpello seems out only to shock with brutality, but the violence proves disappointingly tame.”
·         “The plot and characters are lame and implausible, the dialogue is banal and the acting mediocre. Not an imprisonable offence, but nearly.”

Youth people in the media – UK youth


  • “76% of reporting of young people is negative.”
  • “Only 12% of crime is committed by young people.”
  • “39% of adults are unaware of the positive things young people do.”
  • “Nearly 750 young people completed an online poll for the British Youth Council (BYC) and YouthNet - 80% believed unfair portrayal in the media led to strained relations with older generations.”

'Hoodies, louts, scum': how media demonises teenagers – Independent


·         Figures show more than half of the stories about teenage boys in national and regional newspapers in the past year (4,374 out of 8,629) were about crime. “
·         “The word most commonly used to describe them was "yobs" (591 times), followed by "thugs" (254 times), "sick" (119 times) and "feral" (96 times).”
·         “Other terms often used included "hoodie", "louts", "heartless", "evil" "frightening", "scum", "monsters", "inhuman" and "threatening".”
·         “for all the coverage of teenage issues – the boys' voices themselves were rarely heard in newspapers. Fewer than one in 10 articles about young people actually quoted young people or included their perspectives in the debate.”
  
The Riots - 2011:

‘These things are universal’: new film examines story of Mark Duggan killing


·         In the early evening of 4 August 2011, a minicab driving through Tottenham, north London, was stopped by armed police.”
·         “They surrounded the vehicle and shouted for the passenger, 29-year-old Mark Duggan, to get out of the car.”
·         “When he did an officer (known as V53 at the subsequent inquest), thought he saw a gun in Duggan’s right hand. He fired twice, killing him.”
·         “Duggan’s death ignited the worst riots in modern English history. Starting in London, before spreading to other UK cities, the unrest lasted six days and resulted in more than 3,000 arrests across the country.”

British youths are 'the most unpleasant and violent in the world': Damning verdict of writer as globe reacts to riots – Mail Online


·         British youths have been branded as 'the most unpleasant and potentially violent young people in the world' by a renowned doctor-writer”
·         “Anthony Daniels, a retired prison doctor and psychiatrist who has worked in some of the hardest-hit areas on the planet, said the British were now in great fear of their own arrogant, knife-wielding children”
·         “In South Africa, the Afrikaans daily Beeld led with the headline 'Anarchy Grows' above a huge picture of a burning street in the capital.”
·         “The Cape Times' main story was also about Britain's crisis, with an extensive report headlined 'Riots Spread Across UK'.”
·         “The tabloid Citizen also led with the unrest, with its front page featuring a large picture of two riot officers standing beside a burning building.”

England rioters: young, poor and unemployed – The Guardian


·         “David Cameron said this week that the riots "were not about poverty", but the Guardian's database of court cases raises the question that there may be, at the very least, a correlation between economic hardship and those accused of taking part in last week's violence and looting.”
·         “In London, the evidence suggests rioters often looted shops and businesses in or near the areas where they lived.”
·         “According to the data collected so far, 66% of those who have appeared in court are aged under 25 – with 17% aged between 11 and 17. Only a very small number in our data were aged over 30. More than 90% are male.”
·         “More than two-thirds of those in the Guardian's data set were remanded in prison, with 39% being passed to crown courts for trial or sentencing.”
·         “Less than 10% of cases collated by the Guardian were given a sentence after their first appearance and there have only been a handful of cases where bail has been granted – mainly where the accused was under 18.”

London riots 1981:

Brixton riots report blames racial tension – On this day 1950-2005 


·         “Last April's riots in Brixton, south London were caused by serious social and economic problems affecting Britain's inner cities.”
·         “Lord Scarman's inquiry into what he called the worst outbreak of disorder in the UK this century also blamed "racial disadvantage that is a fact of British life".”
·         “The report criticised police and the government, but it said there was no excuse for the violence and praised officers for their conduct during the disorder.”
·         “The investigation found the rioting was caused by a spontaneous crowd reaction to police action - rightly or wrongly believed to be harassment of black people - and had not been planned.”
·         “On the night of 10 April two police officers were attempting to help a black youth who was bleeding from a suspected stab wound when they were approached by a hostile crowd.”
·         “The local community was already aggravated by "Operation Swamp" - during which large numbers of black youths were stopped and searched - and the confrontation quickly escalated.”

The legacy of the Brixton riots – BBC News


·         “More than 300 people were injured and the damage caused came to an estimated value of £7.5m.”
·         Many were second generation, born to parents who had come to Britain from the Caribbean in the late 1940s and 1950s to help "the motherland" with post-war rebuilding.”
·         “But below the surface tensions had been building up and on 11 April 1981 they boiled over in Brixton, an area where 25% of residents were from an ethnic minority group.”
·         “The days of full employment were long gone and in Brixton around half of young black men had no job.”
·         “In early April, Operation Swamp - an attempt to cut street crime in Brixton which used the Sus law to stop more than 1,000 people in six days - heightened tensions.”

'It seems that we can only be interesting if we are smoking, snorting or stabbing' – The Guardian


·         “When most people think of young people they see us as a horizontal line. One end screams, "Violent! Asbos! Hoodies!" and the other end whispers, "A* student; passes; friendly".
·         “We are lumped into one group or the other. More often than not the only group that is ever reported on is the former.”
·         “Why aren't we reported on, or our lives documented and televised? It seems that we can only be interesting if we are smoking, snorting or stabbing.”

Negative stereotypes 'hurting teenage job prospects' – BBC News       


·         “More than two thirds of 14-17-year-olds believe negative portrayals of teenagers in the media are affecting their job prospects, a survey suggests.”
·         “About 80% of teenagers questioned also believed they were more engaged with social issues than their predecessors.”
·         “It said four in five teens felt they were unfairly represented in the media and, of these a vast majority - 85% - said this was affecting their chances of getting a job.”

How the Police Have Obliterated British Youth Cultures- vice


·         “Emerging in Manchester’s slums during the late 19th century, scuttlers were maybe the first British youth subculture – if beating the shit out one another with belts wrapped around your fists can constitute a “culture”.”
·         “For whatever reason, police didn’t like this increase of children bludgeoning each other in the street, so cracked down hard on anyone with even a vague level of involvement. “
·         “Police didn’t need to know much about them, or make sure they were scuttlers – they could look the same as any other working-class youth.”
·         “Before the skinhead look had been co-opted by racists and Dutch fashion designers, authorities targeted the relatively peaceful, apolitical subculture under the banner of public safety – because shaving your head and holding your trousers up with braces is clearly a sign that you want to bottle strangers.”
·         “much of that initial violence was manufactured by the police themselves.”
·         “According to Dr Williams, grime and garage are the first two subcultures that the police have found unsettling in a long time. While cops can’t force a venue to shut down a grime show, “they can threaten to revoke licenses”, said Williams.”
·         “They can also make it very difficult for a venue to hold an artist they see as problematic.”
·         “There used to be a section asking whether there would be any ethnic minorities in attendance, but despite that blatant red flag of racism now being removed, the question is still implied.”

Top Boy, Channel 4, review – The Telegraph


·         “There is no doubt that people will write about Top Boy (Channel 4) in an unimaginative shorthand. Dark, urban and gritty are words that will pop up with predictable frequency. “
·         “It was highly effective, particularly when detailing the lives of the teenage boys who had to navigate not only the pain of adolescence but also the difficulties of existing in a world where evil lurked around every corner.”
·         “However, it was occasionally marred by the need to shock and the violence towards the end had a heightened, Grand Guignol quality that felt at odds with its inherent naturalism.


What is wrong with British youth? – The Telegraph


·         “Children should be forced to stay behind for at least an hour after school in order to combat Britain’s growing yob culture, according to a leading think-tank.”
·         “Research by the Institute for Public Policy Research found that teenagers in the UK are more likely than their counterparts in Europe to abuse drink and drugs, have underage sex, join gangs and get into fights.”

·         “Julia Margo, senior research fellow at the Institute, said: “Britain has a real problem with its teenagers. Today’s announcement is an admission that successive Governments have left British youth to its own devices.””

Generation Boris


·         “The young are less likely than their elders to consider themselves part of any particular religion, less likely to join a political party or a trade union and, according to the long-running British Social Attitudes survey (BSA)

·         “less likely to have a “high or very high opinion” of the armed forces. As far as they are concerned, people have a right to express themselves by what they consume and how they choose to live

·         “Predictably, that translates into a tolerance for social and cultural difference. Polls show that the young are more relaxed than others about drugs, sex, alcohol, euthanasia and non-traditional family structures.

·         “They dislike immigration, but not as strongly as do their elders. And they are becoming ever more liberal. The BSA has tracked attitudes for three decades. It shows that the young are now far more tolerant of homosexuality, for example, than were previous generations at the same age.

·         “But their attitudes also reflect the hardships they face today. The economic slowdown and government cuts have hit them harder than most. The coalition has trimmed the support paid to those who stay in school between the ages of 16 and 18, raised university tuition fees and axed a temporary employment scheme for those aged 18 to 24. Although overall joblessness is lower than in most European countries, youth unemployment has increased by half since 2008: an advertisement of eight vacancies at a Nottingham coffee shop recently drew 1,700 applications.